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Wednesday, January 28, 2009

Encyclopædia Britannica (EB), the authoritative reference book first published in 1768, is planning to let readers edit its entries, Jorge Cauz, its president said Friday, as it battles to keep pace with online Internet encyclopedia projects like Wikipedia.

Starting next week, readers, visitors and contributing experts to EB’s free, online version, Britannica.com, will be allowed to submit proposed changes and contributions to Britannica editors, who will then review the edits and make the necessary alterations. This move is meant to let readers help keep the reference work up-to-date by collaboration.

In expanding and maintaining entries online, users whose editorial suggestions are accepted and published entirely or in part will be credited by name in the section of the article that lists contributors.

The new website features will be available on the site within the next twenty-four hours. According to the Sydney Morning Herald, “Cauz is promising a 20-minute turnover on these edits, but that number could go up dramatically if the company cannot anticipate a large influx of edits at once.”

Britannica, however, explained that it would not allow a Wikipedia form of editing which allows a wide range of users to make contributions. EB’s novel user choice will include enrollment of experts in a reward scheme and invitation of selected readers to contribute. Several readers will also be allowed to use Britannica materials to contribute their own articles that will be featured on the site.

“We are not abdicating our responsibility as publishers or burying it under the now-fashionable ‘wisdom of the crowds’,” wrote Jorge Cauz in his blog. “We believe that the creation and documentation of knowledge is a collaborative process but not a democratic one,” Cauz noted, explaining further that “these experts would sit alongside the encyclopaedia entries and the official material would carry a ‘Britannica Checked’ stamp, to distinguish it from the user-generated content.”

Cauz also announced the unveiling by Britannica of a beta (trial) version of what will become the finished Britannica Online website, which will include a re-design and the addition of web-based tools for readers and users to upload their own reference materials. The new features that Britannica will roll out over the next six months also include an article rating system and a comprehensive list of contributors by subject area.

Articles developed by Britannica’s own editors also appear in the printed volumes, which are published every two years, though material created by what Cauz called their “community of scholars” will only appear online.

“Wikipedia contributes to the spread of information and many people are happy with it as their only source of reference, as are many people happy to eat McDonald’s every day,” said Cauz, who discussed differences between Britannica and Wikipedia features of online editing. “That’s the last thing we want to be. We are a different type of animal, catering to a different type of crowd,” he added.

Cauz said the company will retain its staff of about 100 full-time editors and over 4,000 expert contributors. “I think the future is likely going to be that in every media segment there has to be a symbiotic relationship between editor and reader,” said Cauz, adding that each article will have a detailed history showing changes and who made them, as in Wikipedia. In 1933, Britannica became the first encyclopaedia to introduce a “continuous revision” policy, with continuous reprinting such that every article is updated on a regular schedule.

Unlike Wikipedia, which allows anonymous edits through a user’s IP address being logged, Britannica’s new features strictly require contributors or users to register, revealing their real names and addresses, prior to modifying or creating their own articles. Contributions from non-academic users will sit in a separate section.

A new or changed feature called “Suggest Edit” button will allow readers of a particular article to suggest information clarification, post questions to contributors or add to the existing text, subject to Britannica editors’ approval. “What we are trying to do is shifting … to a much more proactive role for the user and reader where the reader is not only going to learn from reading the article but by modifying the article and – importantly – by maybe creating his own content or her own content,” wrote Cauz.

Cauz faulted Google for setting Wikipedia higher in pagerank than Britannica. He explained that, in EB, new efforts to participate in online collaboration of encyclopedic content are deemed by recognizing experts as a requirement in order to achieve objectivity and high quality. During his tenure, officials from Britannica have become outspoken in their criticism of Wikipedia articles’ contents.

In July 2006, Cauz personally entered the fray in an interview in New Yorker Magazine, in which he stated that Wikipedia had “decline(d) into a hulking, mediocre mass of uneven, unreliable, and, many times, unreadable articles” and that “Wikipedia is to Britannica as American Idol is to the Juilliard School.”

The 241-year-old publication, Encyclopædia Britannica, is a general English-language encyclopaedia published by a privately held company, Encyclopædia Britannica, Inc., and is the oldest English-language encyclopaedia still in print. The Britannica articles are directed at educated adult readers. First published between 1768 and 1771 in Edinburgh, Scotland, it quickly grew in popularity and size, with its third edition in 1801 reaching over 21 volumes.

Britannica’s latest 15th edition has a unique three-part structure: a 12-volume Micropædia of short articles (generally having fewer than 750 words), a 17-volume Macropædia of long articles (having from two to 310 pages) and a single Propædia volume created to give a hierarchical outline of human knowledge. The Micropædia is devised for quick fact-checking and as a door to the Macropædia.

At present, Britannica offers optical disc, online and mobile versions. The Britannica Ultimate Reference Suite 2006 DVD has over 55 million words and just over 100,000 articles, including 73,645 regular Britannica articles. The Encyclopædia Britannica Online website has more than 120,000 articles and is updated regularly. EB’s virtual space was founded in 1994 and contains articles comprised of over 46 million words.

In February 2007, Encyclopædia Britannica, Inc. said that it was working with AskMeNow to launch a mobile encyclopedia, to enable users to send questions via text messages. Replies would then be forwarded by AskMenow based on Britannicas’ articles.

As Britannica is a business, the company needed to charge, and Web access to the archives cost $70 a year. In April 2008, “Britannica Webshare,” a version of the online Encyclopaedia Britannica has been available for free, but only for Web publishers. The simple process requires signing up, giving a site URL, a description, and approval by the company. “This program is intended for people who publish with some regularity on the Internet, be they bloggers, webmasters, or writers. We reserve the right to deny participation to anyone who in our judgment doesn’t qualify,” said TechCrunch.

In June 2008, Britannica announced an initiative to facilitate collaboration between online expert and amateur scholarly contributors for Britannica’s on-line content (in the spirit of a wiki), with editorial oversight from Britannica staff. According to its statement titled “Britannica’s New Site: More Participation, Collaboration from Experts and Readers,” approved contributions would be credited, though contributing automatically grants Encyclopædia Britannica, Inc. perpetual, irrevocable license to those contributions.

PC World has, however, reported that it became clear how steep of a climb Britannica faces. “Wikipedia received a massive 97 percent share of the online encyclopedia market or visits U.S. Web surfers made to online encyclopedias last week,” Web monitoring company Hitwise said Friday. “MSN Encarta was second with 1.27 percent of visits, followed by Encyclopedia.com (0.76 percent), Fact Monster (0.72 percent) and, in fifth place, Britannica.com (0.57 percent). Britannica.com’s share of U.S. visits dropped 53 percent last month compared with December 2007,” Hitwise added.

While Britannica.com has 1.5 million visitors per day, Wikipedia attracts about six million, The Times reported. Hitwise also said that as of last week, Wikipedia ranked the 13th-most-visited site on the Web overall, while Britannica.com was 2,349th. The essential difference is Wikipedia does not charge any fee, while Britannica.com requires a paid subscription for access of some contents. Britannica, however, is issuing a “Encyclopaedia Britannica 2009 Ultimate Edition” – the £40 2009 DVD edition of its famous print encyclopaedia.

“One of the big questions still on the table is whether Britannica will open its content or maintain its premium membership paid wall. In order to compete with Wikipedia in the Google [search results], Britannica needs to build up inbound links. If content is locked up behind the paid content walls, people will be much more likely to link to other websites with free content — such as that available on Wikipedia,” Hitwise analyst Heather Hopkins noted.

Wikipedia, a not-for-profit collaborative online encyclopedia, in its Wikipedia Foundation’s recent drive for public donations, had aimed to raise $US6 million over the course of six months. On January 1, “it had met the target, from more than 125,000 donors,” said Wikipedia head honcho and co-founder Jimmy Wales. He has invoked Wikipedia’s “free-culture movement”, and its mission “to bring free knowledge to the planet, free of charge and free of advertising”.

“Wikipedia is the new frontier of human knowledge,” wrote Anonymous, donating $US100. American Patrick Culligan left another comment, saying, “Accurate information is what enables society to act in the appropriate way in which we can change the world. History cannot be left for the winners to write.” Another said: “Wikipedia is one of those ‘big ideas’ which will change our world for the better.”

After Encyclopedia Britannica’s announcement that it is introducing a more open editing system, web 2.0 giant Wikipedia has considered attempts to move away from its free and open editing system. Academics, scholars and others have long criticized the writing principles fostered by Wikipedia amid vandals having often changed Wikipedia entries resulting to erroneous reports.

Now, for the first time, the online encyclopedia has considered restricting the edits that users can make. The system known internally as “Flagged Revisions,” has been sparked off by inaccurate changes after a Wikipedia user “Gfdjklsdgiojksdkf” and an anonymous editor respectively edited articles to say that both U.S. Senators Ted Kennedy and Robert Carlyle Byrd had died. The errors were caught and duly corrected after about five minutes, but they were up long enough for the Washington Post, among other media outlets, to notice.

In just the latest incidents in a long and rich history of vandalism since its 2001 launch, Vernon Kay and Apple’s CEO Steve Jobs, among others, have also been falsely reported as dead on Wikipedia. Wiki means “fast” in Hawaiian and it certainly is, even amid subtle vandalism, since anyone can amend its 2.7m entries. Wikipedia has long struggled with such prankery, and has ever since worked closely with its community to overcome it without adopting harsh protections.

As Wikipedia itself acknowledges, “Allowing anyone to edit Wikipedia means that it is more easily vandalized or susceptible to unchecked information, which requires removal.” In the proposed process, only registered or reliable users could have their material or edits immediately appear to the general public visiting Wikipedia. Other contributors’ edits or changes will first be reviewed, signed off, or “flagged” by reliable users.

“This nonsense would have been 100 percent prevented by Flagged Revisions,” said Wikipedia founder Jimmy Wales under the header “Why I Am Asking Flagged Revisions Be Turned On Now,” on his user page. “[Instances of misinformation] could […] have been prevented by protection or semi-protection, but [..] [many are] breaking news [stories] and we want people to be able to participate (so protection is out) and even to participate in good faith for the first time ever (so semi-protection is out),” explained Wales who calls for monitoring to prevent false entries.

Wales said that a poll revealed 60 percent of Wikipedians favored the new proposal and that it would be a “time limited test.” He noted that the delay should be less than the German Wikipedia allowed: “less than 1 week, hopefully a lot less, because we will only be using it on a subset of articles, the boundaries of which can be adjusted over time to manage the backlog.”

Wales issued a statement requesting implementation of the extension: “To the Wikimedia Foundation: per the poll of the English Wikipedia community and upon my personal recommendation, please turn on the flagged revisions feature as approved in the poll.” But the community response was further debate.

As of February 2, his request hasn’t been implemented.

Apparently the Wikipedia German edition has been using a form of the Flagged Revisions system since May as a test case. It has, however, led to a delay of up to three weeks in getting some new articles and edits published, for critics have said that the system is very labor intensive and comments can take weeks to appear. Wales, however, pointed out that the system he was proposing was only for biographies of living people. Wikipedia has provided comprehensive and up-to-minute entries on the Virginia Tech massacre in April 2007 and the Mumbai terrorist attacks this past November as the events were still taking place.

While some participants in the debate have argued that the rule change is unnecessary, some have described it in terms of an ethical imperative. As one administrator wrote: “In the vast majority of cases, a Wikipedia article on an individual will be the very highest-ranking search engine result when a search is conducted on the name of that person. This affects the lives of the people we write about on a daily basis. To suggest that Wikipedia does not have profound obligations to do its best to keep these articles free of defamatory, gossipy and privacy-invading material is to suggest that we are without obligation to consider the real-world impacts of our actions and the work we are doing.”

Others have argued that practical considerations should prevent a change that could result in a large backlog of unreviewed edits. “Flagged revisions will suffocate under its own weight,” claimed administrator DragonflySixtyseven. Still other Wikipedian editors further argue that the current system works just fine.

Some consider the split could ultimately threaten the future of the dominant online encyclopedia. “The big issue is that while we have majority support, we don’t have consensus, and that’s the way we have always made our decisions,” Jake Wartenberg user and member of RC patrol chimed in. “A lot of editors are becoming disenchanted with the project; we are losing them all the time,” he added. By way of reply, amidst the embarrassing debacle, Mr. Wales has reached out to help and offered a compromise, inviting the opposition to submit alternative suggestions until the 29th of January.

“Implementing this functionality is really a volunteer community decision. We know the discussion about flagged revs is still taking place on English Wikipedia, but at this stage, it appears the majority of the community are behind this decision. As that discussion unfolds, we’ll have a better sense of the timing,” Jay Walsh, a spokesman for the Wikimedia Foundation, in a rejoinder, wrote in his e-mail message, explaining the status of the proposed restriction.

“Now seems an excellent time for Wikipedia to pause and take stock. It has proved the surprising wisdom of crowds as well as their utter idiocy. Its challenge now is to harness the enthusiasm of those volunteers while becoming a more reliable, better written source. And at some point, surely, its founders might want to turn it into a commercial venture. As Samuel Johnson almost said: “No one but a blockhead ever edited, excepted for money,” said Iain Hollingshead, a British freelance journalist and novelist.

“The suggestion of increased moderation on Wikipedia would divide the community. The site has built its reputation on being ‘the encyclopedia that anyone can edit’. It’s less radical to be ‘the encyclopedia that anyone can edit as long as their edits are approved by a trusted Wikipedian’ but that’s what co-founder Jimmy Wales has suggested. Wikipedia’s openness is its strength,” said Shane Richmond of The Daily Telegraph, asking, “is it most valuable feature its openness or its accuracy?”

Wales’ position is that “I consider our BLP issue to be so important that I think it is actually unethical to not use a tool which holds great promise for helping with the problem, now that it has been successfully tested elsewhere. Anyone who would like to see this tool not go into practice needs to start by convincing people that either (a) it is OK for the BLP vandalism problem to continue or (b) there is a better way to solve it.”

Tuesday, July 31, 2018

On Saturday, tens or hundreds of thousands of participants, reportedly, attended the 40th anniversary of the Berlin’s Christopher Street Day celebration. The Lesbian, Gay, Bisexual and Transgender (LGBT) Pride is referred to as CSD in Germany and Switzerland.

This year’s theme of the event was My Body, my Identity, my Life ^{((de))German language: ?Mein Körper, meine Identität, mein Leben}. The pride parade began at 12 PM at the Kurfürstendamm and finished at the Brandenburger Tor. About 70 cars were registered for the event. After the parade, speeches took place in the evening.

According to the German reports, one fatal incident took place during the parade. A 33-year-old man collapsed and died in the parade, and the police officials suggested an autopsy.

The first Christopher Street Day celebration in the German capital Berlin was organised in June 1979 and reportedly a few hundred people participated in the celebration. A year ago, Germany legalised same-sex marriage. The bill was passed by the German Bundestag on the last day before the parliament’s summer break.

Friday, January 15, 2010

Haiti was hit by a heavy earthquake with a magnitude of 7.0 on Tuesday, killing an unknown number of people, and destroying up to ten percent of buildings in the capital, Port-au-Prince.

No official death toll has been released as of yet, although the United Nations says that up to fifty thousand people may potentially have been killed. An estimated 300,000 more were left without homes.

In a special photo report, Wikinews looks at the extensive damage caused by the disaster.

To find more information about a certain image or to enlarge it, click it. For an in-depth textual report on the same subject, please see Haiti relief efforts: in depth.

• A map indicating the strength of the earthquake, with redder areas being harder hit. The star indicates the epicentre.

• Another graphical representation of the earthquake’s epicentre. As can be seen, it is very close to the capital, which is home to over an estimated 2.5 million people.

• Downtown Port-au-Prince from a bird’s-eye perspective. Only a few buildings remain completely intact, most have been either damaged or completely leveled. Image: UNDP.

• Another aerial image of downtown. Rubble lines the city streets. Image: UNDP.

• Makeshift tents set up in a city square. Image: UNDP.

• A man exits a restaurant after looking for his belongings. Image: UNDP.

• The national palace, housing Haitian president Rene Preval, sustained serious damage. Both the president and his wife, however, survived the earthquake. Image: UNDP.

• Another shot of the presidential palace. Image: UNDP.

• Makeshift tents are set up at a soccer field, one of the few areas free from debris

• A poor neighbourhood in the capital. Again, most buildings have collapsed or sustained significant damage. Image: UNDP.

• The Hotel Montana, once five storeys tall, now lies in a collapsed heap in Port-au-Prince. Image: UNDP.

• Port-au-Prince harbour after the deadly earthquake. The port was too damaged to receive cargo from aid ships sent to the country.

• A shipping container floating in the waters near the seaport.

• More damage caused to the seaport

• Two US Coast Guard 270-foot cutters sit offshore of Haiti, ready to provide humanitarian aid to the earthquake-ravaged country. However, they had no place to dock since the port was inoperable

• An aerial view of the seaport. Note the cargo containers floating out at sea and lopsided cranes.

• The UN’s Haitian headquarters were heavily damaged by the earthquake; many UN officials are feared trapped under the rubble.

• View of the UN headquarters, from a different angle

• The US Coast Guard evacuating US personnel from Haiti by a Hercules C-130 airplane.

• Haitian civilians receiving assistance in a makeshift camp set up by the Brazilian Army in Port-au-Prince Image: Agencia Brasil.

• Brazilian soldiers in the camp giving medical aid to victims Image: Agencia Brasil.

• Another shot of the impromptu camp Image: Agencia Brasil.

• Brazilian Defense Minister Nelson Jobim and Commander of the Army Enzo Peri board a Brazilian Air Force plane headed to Haiti, to join relief efforts Image: Agencia Brasil.

• United Nations Stabilization Mission in Haiti (MINUSTAH) peacekeepers trying to find survivors in the wreckage of a building Image: UNDP.

• MINUSTAH members loading an injured person aboard a lorry

• US Coast Guard delivering medical supplies by boat

• A US Coast Guard member giving a small child a bottle of water in Port-au-Prince

• US Army Lieutenant Colonel Hector Paz carrying an injured girl to receive medical treatment after being evacuated from Port-au-Prince

• A small boy receiving medical treatment by MINUSTAH members at their logistics base Image: UNDP.

• A body pulled out from the rubble of a school that collapsed after the earthquake Image: UNDP.

• Another body being pulled out of the school Image: UNDP.

• US president Barack Obama in the White House Situation Room, discussing response to the disaster

Monday, March 15, 2010

An undercover investigation by Naperville, Illinois law enforcement has led to the arrest last Thursday of four people allegedly involved in prostitution. The stings came after police received tips that people were using websites like Craigslist and Backpage.com to sell sexual performances in Naperville hotels. 

Patricia H. Scoleri of Naperville was arrested after an unidentified neighbor observed consistently suspicious activity at Scoleri’s home. Traffic was unusually heavy and consisted mostly of luxury cars in an otherwise quiet, middle-class neighborhood. Also, the visitors were mainly middle-aged men, and an odd string of lavender-colored lights were hung on the front window.

Police say Scoleri worked alone. She was arrested at 2 p.m. local time (2000 UTC) and is charged with violation of anti-prostitution laws, anti-cannabis laws, and the Massage Licensing Act. She apparently has four children, but the Illinois Department of Children and Family Services has neither contacted her nor received a police report on her.

The second sting occurred at 5:30 p.m the same day (2330 UTC) and resulted in the arrest of Chicago resident Tonya M. Adams. She is charged with prostitution and driving without a license. Another sting about an hour later resulted in the arrests of Jessica M. Walley, a Skokie resident, and Mark A. Williams, a self-admitted Schaumburg gang member. “Walley was charged with prostitution and unlawful possession of cannabis. Williams was charged with pimping, obstructing a peace officer, driving with a suspended license and driving without insurance,” reports WBBM News Radio 780.

All four suspects are free, having paid the required ten percent of their $1,000 bail. They may face additional charges related to crack cocaine discovered during the police investigation. Arraignment is scheduled for next month at the DuPage County Circuit Courthouse in Wheaton.

Thursday, December 22, 2005

Electrical power generator Calpine Corporation declared bankruptcy on Tuesday. The San Jose, California based company filed for Chapter 11 bankruptcy protection in U.S. Federal Court, to facilitate debt restructuring and to allow for normal operations to continue. Calpine has obtained secured debtor-in-possession financing from Deutsche Bank and Credit Suisse First Boston totaling $2 billion. The company announced that some of its Canadian subsidiaries would also file for creditor protection under the Companies’ Creditors Arrangement Act. Calpine and its subsidiaries operate natural gas and geothermal electricity generating plants in 21 U.S. states and 3 Canadian provinces.

The recent rise in natural gas prices due to Hurricanes Rita and Katrina has pushed Calpine’s cost significantly above the locked in selling price for its long-term contracts. Calpine has asked the court to void eight long term contracts, including a 20-year contract entered into with the State of California‘s Department of Water Resources and Pacific Gas and Electric Company in 2001.

The company received permission on December 21 from the Federal Bankruptcy Court for the Southern District of New York to use $500 million of its financing to continue operating and to keep paying its employees’ salaries and benefits.

Monday, August 14, 2017

On Friday, several free knowledge, culture and open source oriented organisations — Creative Commons, Mozilla, and the Wikimedia Foundation, amongst others — collectively announced a three-year commitment for a free-culture fellowship to honour Bassel Khartabil’s continuing influence on the open web, during the Wikimedia’s annual conference Wikimania in Montreal, Quebec, Canada. Palestinian-Syrian Khartabil was held in captivity under the Syrian government starting in 2012 and went silent in prison in 2015. Early this month his wife confirmed Khartabil had been executed in 2015.

Khartabil worked as a computer engineer and contributed to Mozilla and Wikipedia. A supporter of free access to knowledge and culture, Khartabil co-founded Syria’s first hackerspace, Aiki Lab, and led Creative Commons’ Syrian project.

The fellowship to honour Khartabil aims to promote free culture in various forms, including art, music, software, and community. On their official blog, Creative Commons said they would encourage applications from the Levant, Middle East, and North Africa.

Amazon Web Services is to act as a supporting partner and the fellows would receive a stipend of US$50 thousand over the course of ten months. The fellowship is to be awarded on a one-year basis, which could be renewed. Additionally, the organisations are to provide up to US$3000 for the candidates to purchase equipment and software.

Promoting candidates from “closed societies” from the countries with a history of oppression of freedom of expression and access to free knowledge, the fellowship laid three requirements for the eligibility. The applicants must have a history of contribution to the open source/access or free culture communities, and propose in their application an initiative promoting free culture values, and in which the fellowship would be their primary work focus. The fellowship applications are to be accepted from February, and the fellowship is to be awarded in April.

Apart from contributing to Mozilla and Red Hat, Bassel Khartabil developed “Aiki”, an open source framework which is currently used by Open Clip Art and Open Font Library. He was listed among Top Global Thinkers by Foreign Policy, and given a Digital Freedom Award by the Index on Censorship.

Khartabil was arrested by the Syrian military in March 2012. Following time in a Syrian General Intelligence Directorate facility, nine months after his arrest he was transferred to Adra Prison, and permitted family visits. He was relocated to an undisclosed facility in October 2015, and executed soon after. His wife, Noura Ghazi Safadi, confirmed Khartabil’s death on August 1 via a Facebook post.

Sunday, February 4, 2007

The Geological Survey of Canada is reporting that there is a higher probability that a major earthquake could strike the south coast of British Columbia within the next week. The alert comes after seismologists began monitoring a grouping of small tremors moving north along the cascadia subduction zone from nearby Washington State.

The phenomenon is called Epesodic Tremor and Slip (ETS), and it occurs on average every 14 months. ETS is causing the fault to begin moving in the opposite direction, in this case, Vancouver Island is actually shifting to the west, instead of to the east. This causes an added pressure on the strained fault line, and leads to the higher probability that a major earthquake could occur.

The Cascadia subduction zone, running from Vancouver Island to northern California is one of the most volatile geologic fault lines in the world. Unlike the well known San Andreas fault, which has the potential of generating earthquakes in the 7–8 range, the Cascadia fault line has the potential of releasing mega quakes in the magnitude 9 range – the size of the Sumatra quake that killed over 250,000 people, mostly from the tsunamis it triggered.

A quake of that magnitude could devastate a wide area, including Vancouver, British Columbia, Victoria, British Columbia, and Seattle, Washington, a denselypopulated area with close to 6 million residents.

The Canadian geological survey points out, however, that this is only a higher probability, and the chances of a cataclysmic earthquake in the next week is still relatively low.

Vancouverites often are unaware of the potential risk right below their feet.

“Living in Los Angeles, we always got those little reminders every time the ground rumbled. We are indeed living in Earthquake Country. Up here, though, we don’t get them as often, so I think people really forget that we live in an earthquake zone. And because we don’t get those little shocks from time to time, that stress is just building and building, and who knows, these little tremors we’re getting now, might be the straw that breaks the camel’s back.”

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Thursday, July 28, 2005

The U.S. House of Representatives approved the Central American Free Trade Agreement (CAFTA) early morning Thursday, with a narrow vote of 217 in favor, 215 against. Voting was held open for an hour, 45 minutes past the House’s 15-minute voting rule as the President along with other supporters lobbied into the night.

The vote was so close, if one House member changed a “Yea” vote to a “Nay” vote, CAFTA would have failed in a 216-216 tie.

In tallying the votes, 25 Republicans, mostly from Midwest Corn Belt and Rust Belt states and the Southeast United States’s textile industrial belt, broke party line to vote against the measure. Two Republicans were present, but refused to vote.

The Democrats presented a more united front. All but 15 Democrats present voted against the treaty. Independent House members, who usually vote with the Democrats also voted against the measure.

Supporters of the measure include President George W. Bush, Vice President Dick Cheney, U.S. Trade Representative Rob Portman and Commerce Secretary Carlos Gutierrez. Opponents included most House Democrats.

The trade agreement already passed the Senate in June. President Bush has said he will sign it into law.

DR-CAFTA encompasses the following components:

• Services: all public services are to be open to private investment.
• Investment: governments promise to grant ironclad guarantees to foreign investment.
• Government procurement: All government purchases must be open to transnational bids.
• Market access: governments pledge to reduce and eventually to eliminate tariffs and other measures that protect domestic products.
• Agriculture: duty-free import and elimination of subsidies on agricultural products.
• Intellectual property rights: privatization of and monopoly over technological know-how.
• Antidumping rules, subsidies and countervailing rights: governments commit to phase out protectionist barriers in all sectors.
• Competition policy: the dismantling of national monopolies.
• Dispute resolution: the right of transnationals to sue countries in private international courts.
• Environmental protection: the enforcement of environmental laws and improvement of the environment.
• Labor standards: the enforcement of the International Labour Organization‘s core labor standards.
• Transparency: the reduction of government corruption.
• Test-Data Exclusivity for pharmaceutical corporations